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In its prime, Liverpool's A Flock of Seagulls was essentially a two-gimmick band, the first being its blend of minor-key melodies and low-tech electronics, the second being singer Mike Score's hair, an astonishingly ambitious bit of pompadour that spilled over his forehead like a breaking wave. Score's look, along with the arty urgency of the Bill Nelson-produced "Telecommunication," lent A Flock...

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